The presence of Kristin Scott Thomas in this literate French movie by Philippe Claudel is so powerfully distinctive that it's as if Claudel has not merely written the lead role for her, but extrapolated his film's entire narrative structure from Scott Thomas's personality. Her formidable bilingual presence, her beauty - elegant and drawn in early middle age - her air of hypersensitive awareness of all the tiny absurdities and indignities with which she is surrounded, coupled with a drolly lenient reticence: it all creates an intelligent, observant drama about dislocation, fragility and the inner pain of unshakeable memories. Scott Thomas is on screen for almost every minute of the film, often in close-up and her face is at once eloquent and deeply withdrawn.
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